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Voicing/Instrumentation: Organ/Organ Accompaniment

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More about Chad Staten:
<PLEASE NOTE: I am migrating over to my own website. Please visit chadstatenmusic.com for access to more materials. Thanks!> Chad (Staten rhymes with Dayton) started on the violin in third grade in Logan, UT. At the age of eight, he sang in a stake primary children's choir at the Logan Tabernacle. This first real encounter with the organ deeply impressed him, and cemented in his mind a desire to play the organ. After his family moved to Beeville, a small town 60 miles from anywhere in south Texas during fifth grade, he switched to the piano because of limited orchestra resources in town. Chad was called to be a ward organist and choir accompanist starting in high school, and has served in those positions almost continuously ever since. He was an Organ Performance and Pedagogy major at BYU, where he studied with Richard Elliott, and played harpsichord and other instruments in the Early Music Ensemble under the direction of Doug Bush. He currently serves as a Guest Organist on Temple Square in Salt Lake City. Chad loves to compose, particularly for choir and organ. To support his music addiction, he works as an airline pilot and enjoys playing many different pipe organs at various destinations in the United States and Canada. Please take a moment to let me know if you have enjoyed or found useful anything I have posted here. And of course, please tell me if you find any errors!
Song background:

The hymnal unfortunately doesn't have room for purpose-written introductions. I've never really been a fan of the bracketed introduction to I Believe in Christ, which is on the program as a congregational hymn for Stake Conference tomorrow. Wanting something a little special, I penned the attached file yesterday. I hope you will get some enjoyment out of it. Special thanks to John Longhurst (composer of the hymn tune WHITE CITY) for his input on this little project.

Note that you could also use it as an interlude between verses (for example 2 & 3). Instead of playing the last chord (last measure) in the verse, just launch right away into this interlude.

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