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If you sing/use this song, please contact the composer and say thank you to Christine (Burnett) Hadlock!
Voicing/Instrumentation: SATB
We also have other 86 arrangements of "Come, Thou Fount of Every Blessing".
See more from Christine (Burnett) Hadlock.
Visit composer's personal website.
Comments for this piece:
From Regina Angel: Thank you for this beautiful arrangement!
5.0 stars.
More about Christine (Burnett) Hadlock:
Sometime after the age of 6, which is when I started piano lessons, I remember wishing I knew which keys sounded good together. I didn’t want to be tied down to play only what other composers had written. I wanted to play how I felt. A few years later, I began learning scales in the Circle of Fifths as part of my junior high percussion class. That experience gave me the basics of music theory, but it wasn’t until I was a freshman in high school that I began writing music. Then, one evening my dad stopped to listen to me play the piano. He asked the name of the song. I sheepishly told him it didn’t have a name; it was just something I’d made up. He was amazed and immediately insisted I try out for the high school talent show. He even offered to give me a Boom Box if I made it. (I have a great dad!) I was flattered and excited and agreed. A few weeks later I played Dreamer’s Sonata–which wasn’t a sonata at all–for a large crowd of mostly strangers in my high school auditorium. Performing under the lights was quite a thrill, but getting a tearful hug from my big sister afterward, hearing my mom describe awed nearby audience reactions, and then winning First Place Overall as a freshman was absolutely amazing! It was all I needed. I was a composer. And I continue to be a composer. I’m not sure I could stop if I tried. It is a beautiful experience to create something that wasn’t there before.
Downloads:
If you sing/use this song, please contact the composer and say thank you to Christine (Burnett) Hadlock!
Voicing/Instrumentation: SATB
We also have other 86 arrangements of "Come, Thou Fount of Every Blessing".
See more from Christine (Burnett) Hadlock.
Visit composer's personal website.
Related song categories are:
Activation/Reactivation
Adversity
Agency/Choice/Accountability
Atonement/Mercy/Grace/Redemption
Blessings
Christ
Comfort/Strength/Courage/Assurance
Compassion
Creation/Pre-existence
Creator
Faith
Fatherhood/Father's Day
Forgiveness
Gratitude/Thanksgiving
Guidance
Hope
Individual Worth/Self Esteem
Love
Obedience/Commandments
Patience
Peace
Praise
Prayer
Repentance
Righteousness/Spirituality
Sacrament
Sacrifice
Savior/Jesus Christ
Spirit
Supplication
Temptation
Testimony
Trials
Trust in God
Worthiness
Youth Mutual Themes
Activation/Reactivation
Adversity
Agency/Choice/Accountability
Atonement/Mercy/Grace/Redemption
Blessings
Christ
Comfort/Strength/Courage/Assurance
Compassion
Creation/Pre-existence
Creator
Faith
Fatherhood/Father's Day
Forgiveness
Gratitude/Thanksgiving
Guidance
Hope
Individual Worth/Self Esteem
Love
Obedience/Commandments
Patience
Peace
Praise
Prayer
Repentance
Righteousness/Spirituality
Sacrament
Sacrifice
Savior/Jesus Christ
Spirit
Supplication
Temptation
Testimony
Trials
Trust in God
Worthiness
Youth Mutual Themes
Comments for this piece:
From Regina Angel: Thank you for this beautiful arrangement!
5.0 stars.
More about Christine (Burnett) Hadlock:
Sometime after the age of 6, which is when I started piano lessons, I remember wishing I knew which keys sounded good together. I didn’t want to be tied down to play only what other composers had written. I wanted to play how I felt. A few years later, I began learning scales in the Circle of Fifths as part of my junior high percussion class. That experience gave me the basics of music theory, but it wasn’t until I was a freshman in high school that I began writing music. Then, one evening my dad stopped to listen to me play the piano. He asked the name of the song. I sheepishly told him it didn’t have a name; it was just something I’d made up. He was amazed and immediately insisted I try out for the high school talent show. He even offered to give me a Boom Box if I made it. (I have a great dad!) I was flattered and excited and agreed. A few weeks later I played Dreamer’s Sonata–which wasn’t a sonata at all–for a large crowd of mostly strangers in my high school auditorium. Performing under the lights was quite a thrill, but getting a tearful hug from my big sister afterward, hearing my mom describe awed nearby audience reactions, and then winning First Place Overall as a freshman was absolutely amazing! It was all I needed. I was a composer. And I continue to be a composer. I’m not sure I could stop if I tried. It is a beautiful experience to create something that wasn’t there before.
Song background:
You can also visit the author's original page
for this piece (opens in a new window).An original, SATB arrangement of this beloved, sacred hymn: Come, Thou Fount of Every Blessing.
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